![]() ![]() Perhaps a more forceful actor could have withstood this assault but Stone fades into the background a little too often.Īnother odd change from book to film (and this is a spoiler) is the death of Michael. Again, this serves to weaken Rudolf’s claim as protagonist. Lewis Stone is further shorted when the film-makers choose to cut several of the book’s scenes of derring-do (including one where Rudolf holds off Michael’s henchmen armed with a tea table!) and hand others over to Fritz. The proud pseudo-Elphburg this time around is Rudolf, until recently in the service of the queen. The Rassendylls of England have a not-too-secret skeleton in the cupboard: A few hundred years back, one of the ladies of the family had a passionate romance with the dashing King of Ruritania and every generation since then at least one Rassendyll pops out with the royal Elphburg features. Let’s take a look at the film and see how it measures up to the novel and subsequent adaptations. After his success as the charismatic supporting villain of Zenda, he would change his surname to Novarro. It also gave Ingram a chance to introduce another Latin lover to the American public: a 23-year old Mexican actor named Ramon Samaniego, who, in spite of his youth, was a veteran extra of more than 100 films. It was deeply romantic and the settings ranged from cathedrals to dungeons, giving him an opportunity to work his magic on light and shadow. The Prisoner of Zenda was an obvious choice for Ingram. ![]()
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